Let’s enjoy the carnival of the inflation. It’s loads of fun and paper, printed paper, flimsy stuff — do they still call it money? … Krupp and Stinnes get rid of their debts, we of our savings. The profiteers dance in the palace hotels.
–Klaus Mann (1923)
The capital of Germany’s Weimar Republic (1919–1933), Berlin alone was home to some twenty thousand eateries. The immense number reflected not so much a diversity of tastes for cuisine as a panoply of preferences for entertainment. In keeping with the spirit of the times, those latter tastes often ran to the grotesque and the perverse. Many of the metropolis’s restaurateurs augmented their bill of fare, top-heavy with hearty German staples, with marvels astonishing and often terrible to behold. A restaurant’s real draw was not so much the tenderness of its roast pork nor the pungency of its sauerkraut as it was the arresting spectacle of its stage show.
I heard the planes go over With shuttle and with roar The moon looked down on Dover And lit the winding shore. It filled the night with beauty, Our tired world’s release: Old wardens at their duty Invoked a prayer for peace. –T. A. Agius, O.S.B., “Wartime Christmas,”
A sprig of mistletoe was all Pam Ashford wanted for Christmas, 1941. It surely would’ve livened up the office of the Glasgow coal-shipping firm for which the 38-year-old worked — an office she described at one point as “death heated up.” And it would’ve marked a welcome addition to the tin of shortbread biscuits and tiny cash bonus given to her by the firm’s honchos. At the very least, the bit of seasonal greenery would’ve leavened dull routine with a dash of the aleatory. Pam Ashford wanted it “just to see what would happen,” as she confided to a colleague. Later in private she walked back this wish. “But certainly I could never rise to that level of audacity,” she wrote in her diary.
Obscurest night involv’d the sky, Th’ Atlantic billows roar’d, When such a destin’d wretch as I, Wash’d headlong from on board, Of friends, of hope, of all bereft, His floating home for ever left. –William Cowper, “The Castaway”
Of all the ways French physician Alain Bombard could’ve spent his 28th birthday, he chose to do so adrift some 1,500 miles at sea. In the wide blue immensity, the only thing between Bombard and Davy Jones’s locker was the deck of a dinghy he had christened, with cheek that belied the gravity of his situation, the Heretic.