The eighteenth-century German philosopher Immanuel Kant, native of the Prussian town of Königsberg and a towering figure in Western thought, was in life a rather diminutive man. His writing reveals that he rued his stature, his “flat and narrow chest” in particular. Yet his negative opinion of it appears to have rested on concerns of well-being rather than personal vanity: A chest as slight as his, he wrote, accommodated but “little movement for the heart and lungs.” Similarly cramped must have been his stomach, for it often troubled him. Such complaints notwithstanding, Kant would frequently put to friends the question, “Is it possible to conceive a human being with more perfect health than myself?” Though the question may be thought to mask a boast, it’s likely Kant really sought validation of his daily habits, which were as regular as they were salubrious.
Were you to visit Presque Isle — a small peninsula on the Erie, Pennsylvania lakefront — during any mid-nineteenth-century autumn, you’d likely see marshes thick with cranberry bushes. The largest marsh of all occupied the peninsula’s middle. September’s arrival would see the berries at their reddest, a development that summoned the folks of Erie County to their harvest.
The picked cranberries would go into jellies and preserves or into stalls at public markets. And in doing so they precipitated a tragedy of the commons: greedier sorts would steal a march on their unsuspecting fellows, leaving them to find the marshes of Presque Isle bare of fruit. The phenomenon became so acute that in 1841 the state legislature of Pennsylvania intervened. It deemed such deviousness to be “contrary to the peace and dignity of the commonwealth.” To this end, it forbade the picking of cranberries on Presque Isle from “the first of July” to “the first Tuesday of October.”
Shell-entangled, bright-hued seaweed,
From what mermaid-haunted bowers
Wert thou cast? did rude waves tear thee
From thy beauteous sister flowers?
Or did glittering star-fish tempt thee?
Did the Nautilus say, Come?
Did they whisper ‘neath the crystal,
Of a fairer, brighter home?
–S.E. Tonkin, “Seaweed” (1866)
Michael Innes’s 1977 mystery novel Honeybath’s Haven sees eccentric artist Edwin Lightfoot drowned in a saline pool of cultivated seaweeds. A pet project of Lady Munden, a fellow inmate of the retirement home in which Lightfoot lived, the pool is thick with great sea tang, whose stems are “as thick as a cable,” and sinewy bull-head kelp. It was this latter plant that proved Lightfoot’s undoing. So ensnared did he become in it, a policeman at the scene noted, that “the body had to be cut out of the stuff.”