Preview of My New Book

Why Fast? The Pros and Cons of Restrictive Eating – Christine Baumgarthuber
 

My new book, Why Fast?: The Pros and Cons of Restrictive Eating, hits shelves on July 1 in the UK and elsewhere in the Commonwealth, and August 29 in North America. It’s available for pre-sale, so reserve yourself a copy. There are also plenty of copies of my earlier book, Fermented Foods, to be had.

In the meantime, you can preview a good portion of the opening chapter of Why Fast? on Google Books right now. Give it a look! It’ll tide you over until I can manage to get another piece together for this platform.

 

Why Fast and Fermented Foods by Christine Baumgarthuber

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And, if you’d like to help the Kitchen keep cookin’, please consider picking up copies of my books, Why Fast? and Fermented Foods.

On Snuff Spoons, Oedipal Forks, and My Latest Book

The history of cutlery is not as boring as you might think

 
Illustration of spoons and forks from the 19th Century
Illustrations from Mappin & Webb’s Catalogue of Their Celebrated Manufactures, Electro-silver Plate, Spoons and Forks, Table Cutlery & Plated Cutlery (1881)

About a month ago, I agreed to write book on the history of dining. (The subject is perhaps an odd one to follow my book on fasting that comes out later this year. But, hey, I’m a woman of contradictions.) And I am genuinely happy that I did. It’s a great privilege to publish a book. God knows I spent about five years suffering setbacks in that effort before my first book, Fermented Foods, became a reality. Yet another part of me feels somewhat queasy about it and asks, “Why have I done this to myself yet again?”

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Unusual Tastes: The Restaurants of Weimar Germany

Postcard advertising the Residenz casino in Berlin
Postcard advertising the Residenz-Casino in Berlin (via)

Let’s enjoy the carnival of the inflation. It’s loads of fun and paper, printed paper, flimsy stuff — do they still call it money? … Krupp and Stinnes get rid of their debts, we of our savings. The profiteers dance in the palace hotels.

–Klaus Mann (1923)

The capital of Germany’s Weimar Republic (1919–1933), Berlin alone was home to some twenty thousand eateries. The immense number reflected not so much a diversity of tastes for cuisine as a panoply of preferences for entertainment. In keeping with the spirit of the times, those latter tastes often ran to the grotesque and the perverse. Many of the metropolis’s restaurateurs augmented their bill of fare, top-heavy with hearty German staples, with marvels astonishing and often terrible to behold. A restaurant’s real draw was not so much the tenderness of its roast pork nor the pungency of its sauerkraut as it was the arresting spectacle of its stage show.

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